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197 S.E.2d 652 (1973)
19 N.C. App. 326
STATE of North Carolina
Dorothy S. SINCLAIR.
No. 7328SC151.
Court of Appeals of North Carolina.
May 1, 1973.
Certiorari Denied July 16, 1973.
*653 Atty. Gen. Robert Morgan by Associate Atty. Gen. Robert L. Graham, for the State.
Haywood, Mills & Pierce by G. Eugene Zipp, Greensboro, for defendant appellant.
Certiorari Denied by Supreme Court July 16, 1973.
GRAHAM, Judge.
Defendant contends that the trial court erred in refusing to suppress the evidence taken as a result of the search warrant. This Court is committed to the rule that “Every search without a search warrant as to the person, houses, papers, and effects of a defendant charged with a crime is illegal and unconstitutional unless it be made pursuant to a lawful arrest or to the reason and direction of a search warrant.” State v. Gale, 209 N.C. 103, 184 S.E. 543 (1936).
The search warrant in the instant case, after a recital of the facts and circumstances allegedly occurring in the County of Guilford, states that the known accused (one who resided in the house searched) is suspected of being armed with a deadly weapon. The warrant also states that armed robberies had occurred in Guilford County and that during the past 30 days there had been two armed robberies in Greensboro. It authorizes a search of the house and premises to locate a revolver; it does not restrict the search to a particular room or any other part of the house.
The trial court received in evidence the search warrant, the sworn affidavit, a copy of the application for the search warrant, and the warrant itself. The sworn affidavit recites

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A recent development in St. Louis MO, “The Codman Collection” shows how an elderly gentleman with a love of art, decided to open a museum in his home that he referred to as “The Art Museum of the Obsolete”. Tom Codman never imagined that his impressive collection of Judaica, original artwork by Matisse and Warhol, which sold in the largest auction of its kind in the history of the St. Louis auction house, would one day lead the curious, in it’s 50,000 sq. ft. building to a string of artistic events that showcase the innovative notion of the “Art of the Obsolete”. On the back of this gallery of thirty years of exhibits, the museum has declared how the contemporary art world should be “To show where we are going, not where we have been.”

The exhibition, in the field of art known as “The Art of Obscurity”, is an extension of the 2012 debut of the Codman’s home and art collection, “The House of the Obsolete”, a catalyst for a series of events that have presented a number of controversial exhibitions, including “The World Inside.”

“The World Inside”: With the atmosphere set to create an overall ambiance of a first-class hotel, several “leisure” activities present the notion of a certain “opening up” of the self, to include a spa experience, a wine and cheese reception, a hot tub gazebo “children’s tea”, and a set of artistically-created massage tables.

Over the course of the following two years, several experimental art events focus on a variety of



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